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Pagina:Ars et Labor, 1906 vol. I.djvu/154

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<< %Apre Aggancio Canto a Pianoforte << %Apre aggancio lyrics al Canto \relative ees'{ \clef treble \key ees' \major \time 6/8 %rigo Canto 2.4 f4 d8 \grace{c16\( d}c4.\)|bes4.~ bes8 r r|R2. \break %rigo Canto 2.5 r4 r8 ees f g|bes4 c8 bes4.| bes4 r8 ees,^\< f g\!| \break %rigo Canto 2.6 d'4 c8 ^\>bes4.|bes4\! r8 ^\p ees, f g|c4 c8 ^\markup{"ri - pe - -"}^\pp <<ees4.\( ces _\(>>| \break %rigo Canto 2.7 ^\markup{"te........................................"} <<ees4.\) bes_\)_\(>> bes8\) r ees, ^\p|f4 f8 ^\markup{\italic "poco rit. a tempo"}f4 g8|ees4. ees4 r8| \break %rigo Canto 3.8 }%Chiude relative Canto \addlyrics {-_can ta _-to -_re_............................ Fra le cam_- pa_- gne que_- _-te, __Lon_- ta _-no,un can -- to muo -- -- re; E l'e -- co ci ri pe -- te_Un mor -- mo -- rio d'a -- mo -- re. }%Chiude new staff canto >> %Chiude aggancio a lyrics %Inizia basePiano \new PianoStaff << \new Staff { \clef treble \key ees \major \time 6/8 %\tempo = mosso_non_troppo \tempo 4.= 35 \relative ees' { %rigo up 2.4 r8 d16\( f bes d\) r8 \> c,16\( f aes c\)|r8 bes,16\(\! d aes' bes\) r8 \p ^\markup{\italic "poco rit."} aes,16( bes d aes')|r8 ^\markup{\italic "a tempo"} g,16\(^\< bes ees g\) r8 g,16\( bes ees g\)\!| \break %rigo up 2.5 ^\> r8 g,16\( bes ees g\) r8 g,16\( \! bes ees g\)|r8 bes,16\( d aes' bes\) r8 aes,16\( bes d aes'\) |r8 g,16\( bes ees g\) r8 g,16\( bes ees g\)| \break %rigo up2.6 r8 bes,16(\! d aes' bes) r8 aes,16( bes d aes') |r8 g,16( bes ees g) r8 des16( g bes des)|r8 c,16( ees aes c) r8 ees,16( ges ces ees)| %rigo 2.7 r8 ees,16( g bes ees) <<g4 g,>> r8| << { \voiceOne r4 r8 r d4|} \new Voice { \voiceTwo \p r8 aes4( aes4.)| } >> \oneVoice r8 g16( bes ees g) r8 g,16( bes ees g) \break %rigo up 3.8 } %Chiude relative Up }%Chiude New Staff Up \new Staff { \clef bass \key ees \major \time 6/8 \relative ees,{ %rigo low 2.4 << { \voiceOne r16 f'_\(f4_\) r16 aes?_\(aes4_\)|r16 f_\(f4_\) r16 d_\(d4_\)|r16 bes^\(bes4\) r16 bes^\(bes4\)|} \new Voice { \voiceTwo bes4. bes|bes bes|ees, bes| } >> \oneVoice \break %rigo low 2.5 << { \voiceOne r16 bes'_\(bes4_\) r16 bes^\(bes4\)|r16 bes^\(bes4\) r16 bes^\(bes4\)|r16 bes^\(bes4\) r16 bes^(bes4)|} \new Voice { \voiceTwo ees,4. bes|f' bes,|ees bes| } >> \oneVoice \break %rigo low 2.6 << { \voiceOne r16 bes'^\(bes4\) r16 bes^\(bes4\)|r16 bes^\(bes4\) r16 ees_\(ees4_\)|r16 ees_\(ees4_\) r16 ges_\(ges4_\)|} \new Voice { \voiceTwo f,4. bes,|ees ees|aes a| } >> \oneVoice \break %rigo low 2.7 << { \voiceOne r16 g'_\(g4_\)\( g4\) r8 |r16 bes,_\(bes4_\) r16 ^\markup{\italic "col canto a tempo"} bes_\(bes4_\)|r16 bes^\(bes4\) ^\<r16 bes^\(bes4\)\!|} \new Voice { \voiceTwo bes4.\( bes4\) r8| bes,4. bes|ees bes|} >> \oneVoice \break %rigo 3.8 } %Chiude relative low }%Chiude Staff low >>%Fine Base Piano >>%Fine Piano e Canto \midi { } \layout { %#(set-global-staff-size 34) %ragged-right = ##t %indent = 3\cm %short-indent = 2\cm }
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